Why did I change names, (Sara to Maeve, Jannie to Jeannie), personalities (Maude and her mother Pearl have been reversed a bit, Philip's protectiveness of his daughter is more prevalent) and either change or speed up plot points?
Sheesh, where to begin?
I have hated naming my characters ever since the first release of Farmer's Daughter because I was asked if I had used so many family names on purpose. Uhg, no. While I put more thought into some names than others - Angela's names are all symbolic of who she is and what she represents to Craig...including the Hebraic etymology of Carman, although that's something I only just found out (talk about a collective consciousness)...and her name change from Carman to Moore is just as symbolic.
I specifically chose Craig because of the etymology of the name (it means Rock) and not because I have a cousin Craig. I was probably choosing family names, even though I was nearly estranged from my family at the conception of the story and it's early germination because they're names I'm comfortable with. My character Craig certainly doesn't look like my cousin in my head! If you know me well enough, you know exactly who my mind has already cast for his role in my imaginary movie lol
The role of one of Angela's childhood mentors was originally named Sara...If I remember correctly, I struggled a little with it even in the beginning because I have a sister of the same name. I can't even tell you my original motivation for choosing the name aside from the fact I was probably trying to stick with a biblical theme as it was originally meant to be 'Christian fiction'. And I'm stubborn and don't want to admit when I'm wrong. I left the mentor of Irish descent, even though it doesn't fit with the traditional idea of a karate sensei...because I know for a fact it's something which crosses cultural lines. But the name didn't fit with the ancestry, especially if she was Irish enough to have a faded accent. So I cast about on the internet and rechristened her Maeve...more to do with the brief Criminal Minds' character than the etymology of the name.
I renamed Angela's birthmother Janine in nickname only. Jannie felt clunky to me, so I added an E and Jeannie flows off the tongue a whole lot easier. Same with a minor side character never seen and only mentioned...Rena to Trina.
Ah, personality changes. Probably the most notable was the switch between Angela's mother and grandmother. I reread the story and realized it didn't make sense for the grandmother to be more accepting of Angela than her mother was, especially if part of the reason was Maude's own desire for her mother's approval. So I had to make Grandma Pearl, who though she is loved, is a bit judgier than she had been previously. Maude still falls on the judgy side because of this, and because she feels her own early life choices were a mistake (because her mom said so) and doesn't want her own daughter following down the same path...even though for Maude it is the path which led her to her husband Philip...so she's got a bit of her own complex going on too. Don't we all?
Another minor personality change was in the character Kevin. Craig's college roommate and closest friend - he is also a medical doctor specializing in psychiatry (because I'm an armchair psychiatrist lol) who has been aware of his friend's issues the entire time - although he didn't learn of his friend's abuse until their sophomore year and Craig was refusing to sleep after returning from spending spring break at his father's home. There is NO WAY he'd have let Craig continue avoiding his issues as long as he did in the original manuscript...especially after making the two-hour trip to remove a gun from Craig's home to make contemplating suicide harder for him. Kevin's own sister suicided when they were teens, and this event would have scared him even more than Craig's post-spring-break behavior.
I failed to follow through on some of the foreshadowings in Craig's Dragon Dream, so I had to tweak the ending. It wasn't an easy decision, but the more I considered what I had already written, it was already there and I just had to follow through with it. It made Angela's reticence to go home with her husband after waking up from her coma much more believable and understandable. Also, I failed to deliver on the harassment Angela went through prior to the kidnapping...so I gave the phone calls more descriptions...which in some cases called for changes in the scene around them. I also added mentions of items in her apartment being out of place, of it not feeling right to her. I don't focus on it, because at this point in her relationship with her ex-boyfriend, she's accepted the harassment as normal even though it scares her.
Let's be honest, there is a certain level of harassment women take for granted on a daily basis anyway.
But anyways.
Some scenes I simply told from a different person's perspective. The deli manager Becky, or the state trooper Erica. Because I also failed to show the small imaginary town of Tyler's Grove rallying around the budding romance like I said in the book's back cover synopsis. Not everyone supports them, but enough to make an impact on Craig...who even though he's lived there for a decade, doesn't feel like he belongs. Minor issues, easily fixed.
It feels like the story has a smoother flow now, and even though it's long (lover of epic stories), I don't think it has the drag I felt from my read through. Granted my perspective is different, but I think my readers will end up agreeing with me. I hope so anyway!
Much love!
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